Societys Indifference in Out, Out- by Robert Frost :: Out, Out- Robert Frost

Society's Indifference in Out, Out- by Robert Frost In what society do we live in today, where a women can be raped and killed, and the crime is thought to be common place? In "Out, Out-", Robert Frost almost satirizes society's indifference at a child's death. In lines 3-6, Frost sets the scenery of the poem by describing "sweet-scented stuff", the scenery of beautiful mountains and a beautiful sunset. He begins it in a traditional transcendentalist fashion where nature seems perfect and nothing could ever go wrong. All of a sudden Frost makes a rapid shift to describing the snarling and the rattling of the saw as if mimicking an evil snake waiting to attack. With the line "And nothing happened: day was all but done.", Frost quickly reverts to his peaceful tone; a tone which creates doubts in the picture he is painting and begins to foreshadow the upcoming tragedy. In line 19, the first traces of society's indolence towards death appear as the boy does not scream at the pain; instead, he puts forth a "rueful laugh". The irony continues when the boy holds up his hand "in appeal", as if anything can be done for his hand. He then pleads with his sister to disallow the removal of his hand. This whole section is very graphic and the boy's pleas for help serve to darken the mood even more from the once "sweet-scented stuff" of the first six lines. Frost makes his final point very clear in the last two lines where the boy finally dies and his family, as well as society, decides to return to their affairs. The boy can no longer saw the wood and is therefore no longer useful, "no more to build on there." Frost is being quite cold in the end of the poem as he hits you hard with the reality that Society's Indifference in Out, Out- by Robert Frost :: Out, Out- Robert Frost Society's Indifference in Out, Out- by Robert Frost In what society do we live in today, where a women can be raped and killed, and the crime is thought to be common place? In "Out, Out-", Robert Frost almost satirizes society's indifference at a child's death. In lines 3-6, Frost sets the scenery of the poem by describing "sweet-scented stuff", the scenery of beautiful mountains and a beautiful sunset. He begins it in a traditional transcendentalist fashion where nature seems perfect and nothing could ever go wrong. All of a sudden Frost makes a rapid shift to describing the snarling and the rattling of the saw as if mimicking an evil snake waiting to attack. With the line "And nothing happened: day was all but done.", Frost quickly reverts to his peaceful tone; a tone which creates doubts in the picture he is painting and begins to foreshadow the upcoming tragedy. In line 19, the first traces of society's indolence towards death appear as the boy does not scream at the pain; instead, he puts forth a "rueful laugh". The irony continues when the boy holds up his hand "in appeal", as if anything can be done for his hand. He then pleads with his sister to disallow the removal of his hand. This whole section is very graphic and the boy's pleas for help serve to darken the mood even more from the once "sweet-scented stuff" of the first six lines. Frost makes his final point very clear in the last two lines where the boy finally dies and his family, as well as society, decides to return to their affairs. The boy can no longer saw the wood and is therefore no longer useful, "no more to build on there." Frost is being quite cold in the end of the poem as he hits you hard with the reality that

Beach Burial by Kenneth Slessor Essay

Kenneth Slessor wrote the poem Beach Burial whilst he completed his occupation as the official Australian Correspondent in the Middle East. Due to Slessor’s observations of the war at close quarters he soon learnt about the horrific horrors of war. During Slessor’s stay in El Alamein which is a small village found on the Egypt Mediterranean coast he wrote the poem to describe the realities of war and what realistically happens after heroes are killed. Kenneth Slessor has used imagery and various poetic techniques to establish his purpose to the audience in his poem Beach Burial. Slessor has successfully conveyed his purpose to create a high depth of sympathy and pity for the soldiers who have washed up to the shore after being killed in action or died during the voyage at sea. Slessor has used rhyme in his poem to create an intense emotional reaction to the audience. He has done this by using the rhyme pattern of ABCB. The use of Slessor’s rhyme creates a sense of flow to the audience. This particular statement works well with the beach scene featured in the poem and the amount of dead men continually sinuously into the beach. The line â€Å"the convoys of dead soldiers come† reinstates this idea. Slessor also proposes that war is inevitable and always continue just like the dead men. Slessor’s purpose of half rhymes also creates a standstill in the poem, the audience stops for a moment to reflect on the realities of war and how dreadful and disrespectful the dead men are treated after they have fought and served for their country. We also meditate for what has happened to the men and what really happens after death at war. To reinforce Slessor’s purpose he uses the lines â€Å"wavers and fades, the purple drips, the breath of the wet season has washed their inscriptions as blue as drowned men’s lips.† This describes the way in which our men are forgotten and no longer required for the war effort. Slessor wants the responder to recognize this fact. By using a somber tone Slessor has created a sympathetic feeling to arouse the audience. As the poem continues we build up pity causing us to think and even shed a tear. Slessor has used a powerful feel to create strong imagery in our minds. The mood expressed by Slessor has alluded to the memory of the men who have been buried unknowingly who they are and what they have done. The missing identity that Slessor has suggested is located in the quote†unknown seamen- the ghostly pencil wavers and fades, the purple drips.† This illustrates to the audience that men have died in vain and are being forgotten but Slessor is reuniting these circumstances with the audience. His influential language brings out our emotions and he attempts for us to relive the moments and memories of our loved ones who have passed away. Through the living conditions and stress positioned upon Slessor his experiences have influenced his poetry to create this masterpiece. Slessor has successfully conveyed his purpose of displaying the realities of war and the realistic views on soldiers after they are no longer needed, through poetic techniques like rhyme and the mood and build up of tension and sympathy in his poetry. Bibliography old poetryhttp://oldpoetry.com/opoem/show/46383-Kenneth-Slessor-Beach-Burial, 7th July 2006Book Ragshttp://www.bookrags.com/essay-2005/9/6/844/07586, 7th July 2006

Protecting Women from Domestic Violence - 4161 Words

Protecting Women from Domestic Violence â€Å"Domestic violence is the most ubiquitous constant in women’s lives around the world. There is virtually no place where it is not a significant problem, and women of no race, class, or age are exempt from its reach† -Joni Seager Abstract: Domestic violence against women is a social problem that occurs in nearly every corner of the world. Recently, some states have begun to recognize that women must be protected from abuse by family members and intimates. While policies and practices designed to protect women have emerged in a number of countries, many lag behind on the issue. This paper will examine the causal factors behind the variation in protection for women. The literature on women and†¦show more content†¦Women legislators will express these differences by putting women’s issues on the agenda and making policy choices that benefit women as a group. Women’s issues can be defined as â€Å"those that mainly affect women, either for biological reasons (such as breast cancer screening and reproductive rights) or for social reasons (sex equality or child-care policy)† (Lovenduski 2001). According to this theory, women representatives will address domestic violence because it is a part of their experience as women. Even if the legislator has not experienced domestic violence personally, she probably knows someone who has, or can relate to the inequalities that lead to violence against women. Another important theory in women and politics literature is called critical mass. The critical mass theory holds that once women gain a certain percentage in the legislature, they will have the ability to ‘make a difference,’ or make changes in the legislature that improve women’s status (Dahlerup, 2001; Lovenduski 2001). Such changes may include implementing policy that is important to women, bringing attention to women’s issues, or changing the norms and values of the legislative institution (Norris and Lovenduski, 2003). According to a classification made by Rosabeth Moss Kanter, there are three categories of women’s minority status in the legislature: the skewed group of up to fifteen percent, in whichShow MoreRelated Protecting Women from Domestic Violence Essay5817 Words   |  24 Pagesâ€Å"Domestic violence is the most ubiquitous constant in women’s lives around the world. There is virtually no place where it is not a significant problem, and women of no race, class, or age are exempt from its reach† -Joni Seager Abstract: Domestic violence against women is a social problem that occurs in nearly every corner of the world. Recently, some states have begun to recognize that women must be protected from abuse by family members and intimates. 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